The Singing Librarian – being both
I’m a librarian. I’m a performer. And being both makes me better.
Librarians have a key body of professional knowledge and a set of professional skills. If we didn’t, there really wouldn’t be much point to us. Performers, too (whether professional or amateur) draw upon a set of skills and a body of knowledge.
In the case of librarians, the perception may be that we rely largely on knowledge rather than skills. This is not really the case. In terms of finding information on-line, for example, we don’t learn the ins and outs of every search engine, digital library, repository or on-line archive. We draw upon skills that we have learned (formally or otherwise) and then honed through experience to help us when we encounter new resources. Similarly, the ability to work out exactly what it is that someone is actually looking for is a skill. On the other hand, performers do not (or should not) rely entirely on skill. There is a body of knowledge to draw on in terms of creating a character, using voice and so on. Perhaps more importantly, theatre has a language, etiquette and culture that have to be learned – sometimes, knowledge of this can avoid injury, so it’s rather important.
But how do the knowledge and skills from each side of my life relate to each other? In many ways, but in order to keep things relatively short, there are five main areas where I see my performing activities and my library work intersecting: memory, adaptability, use of voice, confidence and organisation.
Firstly, memory. It is a common misconception that librarians know everything – our job (or at least my job) is to help other people access information, not to know the answers for them. However, I find it is useful to have a lot of information ready to retrieve from the mental filing cabinet – whether that is the status of particular book orders, the location of books on the Spanish civil war or the best database to use for locating information on CTG. In my other activities, memory is just as vital. Lines, harmonies, dance steps, location of clothing for quick changes… the list of things to remember during a show is worryingly long. Thankfully, I am usually a quick learner, and I think this may be partly due to my work-life combination. Each side of me exercises my memory storage and retrieval capacity, though in different ways, and so each side of my life enhances the other.
Secondly, adaptability. Sometimes, in theatre, things just don’t go the way they should. Someone forgets to enter for a particular scene, a prop shatters as you pick it up, words get jumbled or a follow spot operator has a bad day. As a performer or member of the technical crew, you just have to cope and carry on, preferably without most of the audience realising that anything went wrong at all. This is relevant in library life surprisingly often. I have to demonstrate various websites, software packages etc. to many different people, sometimes one-to-one, sometimes in lecture theatres. And, of course, things go wrong. A site goes down for maintenance, the internet connection decides on a go-slow or the network cuts out entirely. In these instances, I don’t pretend that nothing is wrong, but I either have to keep the audience entertained (as it were) or come up with an alternative plan. Improvisation is an important skill!
Thirdly, use of voice. As I don’t tend to engage in mimed performances, the use of my voice is rather key to the performing part of my life (most obviously when singing). I therefore know how to project my voice, and have strategies I can fall back on to keep my voice going when it’s tired. I do so many lectures and workshops on campus that this is extremely important to me in the work environment as well. We have two training rooms in our library, and one of these has a microphone that can be used. I always book the other one to leave the mic. available for colleagues. I’m not a naturally loud person, but I know how to make myself heard. And when there are times of year when you go from workshop to lecture to tour with barely any breaks, being able to take care of your voice is important. The techniques I’ve learned as a performer have thus been invaluable as an academic librarian.
Fourthly, confidence. I am not confident when meeting people I don’t know, or when being myself in front of people. On the other hand, I am (in some ways) confident when I get up and perform as a character. That may say all sorts of things about me psychologically, but the strange “I’m terrified, but nobody can tell” confidence I have on stage can translate into work situations, such as large lectures. To a small extent, I take on a character. His name is David and he’s a librarian. Yes, he’s me, but being able to perform in some way helps make the whole thing less disturbing. I also tend to leaven my presentations with a light sprinkling of humour, as any public speaker probably should.
Lastly, organisation. Unlike many of my colleagues, I’m not one of the world’s tidiest people, but as a librarian, I do have a certain professional appreciation for order, for the proper arrangement of information, for categorisation and sequencing. This can help me as a performer, particularly if a show has a myriad of costumes or other items to keep track of – everything has its place and all is well. It’s even more useful in other aspects of theatre. As a director or a stage manager, I am super-organised. I have lists and spreadsheets and diagrams and more lists. Yes, there’s certainly plenty of room for creativity and spontaneity (lists can always be re-written), but the librarian approach to life definitely makes me more efficient and effective in the theatre. Managing and organising information is not a pointless skill beyond the walls of the library, it reaps bounteous artistic rewards!
Of course, none of these things are unique to librarianship or to performing, but it’s interesting how they interact and how different parts of my life feeds back into others. I firmly believe that as the Singing Librarian, I am stronger – librarianship helps make me a better performer, and performing helps make me a better librarian.
Beyond the dilemma of the work-life balance, how do your leisure activities impact on your work? Or vice versa? I’d be fascinated to know – leave a comment!
People think I’m mad for all sorts of reasons, with a chief cause for doubting my sanity at the moment being my pursuit of a librarianship qualification. “Isn’t librarianship obsolete?” they ask. Others are quick to inform me that “computers are taking everything over!” To an extent, they may be right, but they’re also talking utter rubbish.
The Singing Librarian Talks 