Posts Tagged ‘ Cabaret ’

Music to shed tears to


I have mentioned before that certain songs can make me cry.  Of course, with my mental wobbliness factor, I don’t necesarily need any songs to accomplish this goal, as at my worst somebody saying hello or a black cloud or nothing at all can open the floodgates, but there are definitely songs which can cause me to well up even when I am in a stable mental state.

I have expressed my tearful admiration for ‘Ev’ry Time We Say Goodbye’ before, and it sits alongside other songs written for Broadway shows before the Second World War which have stood the test of time in both singability and the power to move listeners to tears.  The Gershwin brothers’ ‘Someone to Watch Over Me’ and Jerome Kern’s ‘Smoke Gets In Your Eyes’ (lyrics by Otto Harbach) are the greatest examples of this for me.  Songs of love either lost or never found in the first place, expressed with simplicity, directness and a velvety melody.  From the other side of the coin, Irving Berlin’s ‘How Deep is the Ocean?’ (not from a show as far as I know), which speaks of a love of incredible depth and fortitude can make me start to well up, as can ‘All the Things You Are’ by Jerome Kern and Oscar Hammerstein.

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Messing around


In my post a few days ago about my experiences as a cast member of Die Fledermaus (goodness me, that sounds pretentious!), I mentioned the silliness which we got up to behind the scenes during Act One.  Silliness is often an important, or at least prominent, part of the rehearsal and performance process, but I don’t want to give the wrong impression on this.  There are definitely limits, and when it comes to these limits, I am a bit of an ogre.

Under no circumstances should you do anything to jeopardise any aspect of the show.

Never ever.  Not even a little bit.  Backstage pranks are good.  Enjoying yourself on stage is good.  You do need to do something to pass the time when you’re not on stage.  But this should never affect your performance or the performance of anyone else.  The audience has paid good money to see the show, and (unless it’s a pantomime), they don’t want to see people trying to make each other laugh, or inappropriate comedy props appearing on the stage.  ‘In jokes’ mean nothing to the paying punters and often aren’t even funny to those in the know.

Let me give you an example.  A real one.  Continue reading

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