A week in the Tower – Day 1


Day 1 of the week in the Tower began at 11.30am, arriving in the dressing room and hanging up the small collection of shirts and trousers which makes up my set of costumes for the show.  In all, I get through one t-shirt, three shirts, four pairs of trousers, two jackets, a waistcoat, a tie, a bow tie, a hat, a pair of boots and two pairs of shoes.  This requires quite a bit of organisation!  It transpired that the technical team had been there until 6am, somehow surviving on a break of about five hours.  Naturally very tired, they still continued to work hard throughout the day, which was mightily impressive.

As there were still some stage-related issues to be sorted, the cast had an extended lunch break, with our hard work beginning in the afternoon with several hours of spacing.  This meant going over and over the big dance routines, checking each and every new formation to ensure that we were all in exactly the right place in relation to the set and to each other.  For the first number, I was not required, so helped the stage crew put up some safety rails on a raised portion of the stage, but I was soon kept busy on spacing for several hours.

After a shorter meal break, we had our mics fitted and checked, and all sound issues were explained to us – exactly when each mic would come on and when it would be switched off, so that we would know when we can talk backstage and when we can’t.  Then began a stagger through of the show, stopping to deal with issues of traffic, set changes and so forth.  We didn’t make it all the way through, which is fairly normal.  The stage crew have a lot to deal with and will need a lot of help from the cast, which is fine with me.  A detailed list of which actors need to help with each set change will appear this morning.  It also became apparent that the sound guy really has his work cut out for him balancing our vocals with the amazing band.  I’m sure this is more than possible.

Today we’ll be in from 10 to 10 to work through the remaining set changes and traffic issues as well as to polish up the staging issues which we’ve not had a chance to look at.  The show is starting to gel together as a complete entity, and by the end of the day all aspects – sound, lights, set, costumes and people – should form a coherent whole.

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